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What's the camera of the future?
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It’s been a while since the 1D mark iv successor, the Canon EOS 1DX was announced, 5 months to be exact.
Now that the 5D mark III is out does an HDSLR filmmaker still need to spare a second thought on the 1DX?Probably not, these two cameras are extremely similar in terms of HDSLR.
Here’s a list of features they share:– 30 minute maximum clip length– manual audio control during recording– captive touch wheel for silent audio control– 1080p24/25/30 and 720p50/60, non drop: 23.976,…– enhanced all i-Frames codec with embedded timecode (recrun, freerun)– DIGIC 5+ chip to eradicate the presence of moiré, false colour and other artefacts– full frame sized (36 x 24 mm) sensorAnd here’s what makes the 1D X different from the 5D mk3:– 1D X has a higher lens port– 1D X’s lowlight capability seems to be a bit better than the already great mark III’s. Vincent Laforet said: 5D mark III “comes second only to the Canon EOS 1Dx camera in low light performance”– 1D X has 2x CF card slots, 5D mark III has 1x CF and 1x SD– 1D X is twice the price– 1D X is missing a headphone port (thanks FRP)
Is the image quality or sharpness any better on the Canon 1D X? There are no real life comparisons yet, I doubt it, but you’re welcome to disagree in the comments.
The 1D X has become available for pre-order here:
B&H – $6799
Adorama – $6799
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Sebastian Wöber is a director and DP, studied at Filmacademy Vienna and is passionate about harnessing the potential of filmmaking tech to create powerful cinematic work with limited resources. He is currently teaching film at Andrews University in the US.