New PODCAST 🎧 ep99 - What's the camera of the future? Trying out new features on CineD.com Listen or watch now!
LISTEN to PODCAST 🎧 ep99 🎬
What's the camera of the future?
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
The first-ever autofocus-enabled lenses from SIRUI will launch via an IndieGoGo campaign that opens its doors on November 20th. The Sniper series consists of three prime lenses – 23mm, 33mm, and 56mm. All three are identical in size and similar in weight. Optical characteristics are also aligned – perfect for visual and mechanical continuity.
SIRUI is relatively new to lens manufacturing and already provided the industry with some innovative optics. These include some anamorphic sets, cine-macro lenses, and more, but until now they all shared a common trait – Manual operation.
The Sniper series changes that with a Trio of classic focal length lenses boasting an extremely fast f/1.2 aperture. The trio will mount to Sony E-Mount, FUJIFILM X-Mount, and Nikon Z-Mount, and will cover the APS-C / Super35 format. The Sniper set was first shown as part of CineD IBC coverage – make sure to check out our exclusive interview here.
Cine optics are known to come in sets. This enables visual and mechanical continuity across all focal lengths. It also means quick and easy switching between different lenses on specific rigs, mechanical steady shots, or gimbals. This practice is not that common among stills or hybrid systems. Though we all know Canon’s L series or SIGMA’s ART series – those share few practical similarities. One actual set is LUMIX’s f/1.8 primes, consisting of five lenses – 18mm, 24mm, 35mm, 50mm, and 85mm, all similar in size, weight, and rendering. Like Panasonic, SIRUI also exploits its learned cine knowledge and experience to produce this unique f/1.2 Sniper set.
As mentioned above, all Sniper lenses share the basic build. However, they do differ in weight, with the 23mm being the lightest at 380g and the 56mm being the heaviest at 422g. Weights also slightly change between mounts, but we’re splitting hairs here.
All lenses use the common and compact 58mm front filter thread. Additionally, they all use 11 aperture blades to render relatively round bokeh at any aperture. Focus throw (rotation angle) is a massive 360° on all three lenses. This is excellent for precise focusing but may be a little slow for mainstream manual focus. Lastly, all three lenses include a USB-C port for future updates and are available in white, black or silver with a touch of carbon fiber.
Well, that’s a manipulative statement since no other true sets are available for the E, X, or Z mount systems… But although some lenses do provide equal or even faster apertures (like the monstrous FUJIFILM XF 50mm f/1.0 R WR), SIRUI does provide a unique option, especially for hybrid shooters who value continuity, and does so while significantly cutting the price.
SIRUI’s campaign for the Sniper lenses will launch on IndieGoGo on November 20th. Each lens will retail for $349, but you can sign up here to get access to the Super Early Bird Price of $299. Moreover, the 3-piece set will cost $999 (Super Early Bird Price: $849).
For more information, and full lens/camera comparability, please visit SIRUI’s campaign here.
What do you think of SIRUI’s first autofocus lenses? Do you think their AF system can compete with proprietary mechanisms? Let us know your thoughts in the comment section below!
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Omri Keren Lapidot started his way long ago, hauling massive SVHS cameras as a young local news assistant. Maybe it was the weight that pushed him towards photography, we'll never know. In recent years he became a content creator, teacher, visual literacy promoter, and above all - a father of (fantastic) four girls. Based in Amsterdam.