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During Adobe MAX 2022, the company launched the latest version of its famous non-linear editing software: Adobe Premiere Pro 23.0. This new version now supports ARRIRAW and ProRes files from the ARRI ALEXA 35. Also, it has some new graphics/title features, while most updates are performance improvement oriented. Adobe After Effects has also been updated with native H.264 encoding, a new selectable Track Mattes feature, and general performance improvements. So let’s take a closer look at everything new!
Adobe continues to improve its software on a very regular basis. Indeed, less than a month ago, Adobe Premiere Pro 22.6 introduced new graphic tools and Audio Auto-Ducking features.
Then, during Adobe MAX 2022, the company released its latest major version: Adobe Premiere Pro 23.0.
You win some, you lose some: let’s start talking about this Adobe Premiere Pro 23.0 update by saying goodbye to the Legacy Titler. Indeed, Adobe has warned users for a long time that the Essential Graphics panel would replace the good old title tool we knew for decades.
Talking about the Essential Graphics panel, this is what most Adobe Premiere Pro 23.0 updates are about, including:
Furthermore, Adobe Premiere Pro 23.0 now supports ARRI ALEXA 35 (Lab Test here) ARRIRAW and ProRes files. Lastly, on Apple Silicon Macs, you’ll have AAF support, a long-time feature only available in Premiere Pro in Rosetta mode.
The successive significant changes in Adobe Premiere Pro 23.0 are under the hood and focused on performance improvements:
Adobe After Effects also benefits from a couple of new features, including:
Also, After Effects Beta has new features, including 3D Model Import, Properties Panel, and OpenColorIO/ACES color management.
If you already have an active Adobe Creative Cloud subscription, you should now be able to update to Adobe Premiere Pro 23.0 and the latest After Effects version. If you’re new to Premiere Pro, you can purchase a 1-year plan from B&H for $239.88.
For more information, please visit Adobe’s website here.
What do you think about all these Adobe software updates? Do you still use Premiere Pro/After Effects, or did you switch to another software? Don’t hesitate to let us know in the comments down below!
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Jeff Loch is a French freelance director, editor and colorist, working mostly on music videos, commercials, and corporate films.