New PODCAST 🎧 ep99 - What's the camera of the future? Trying out new features on CineD.com Listen or watch now!
LISTEN to PODCAST 🎧 ep99 🎬
What's the camera of the future?
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
When you’re ready to pitch your project to a producer or funder, you often only have seconds to grab their attention. A visually rich film pitch deck can make or break your chances of hearing back. Learn about our new MZed course, “Building a Pitch Deck”!
In MZed’s newest course, Building a Pitch Deck, filmmaker and designer Lesley Powers shows you how to create a deck that quickly depicts your project, shares all the important details, and most importantly, makes a lasting impression. The workshop was filmed recently at Samy’s Camera in Los Angeles, with producer Graham Ehlers Sheldon adding his perspective to Lesley’s lessons.
Start watching Building a Pitch Deck now
Whether you choose to create your own pitch deck, or you want to work with a graphic designer (like Lesley Powers herself), you need to know the basic components that go into most film and TV pitch decks. The way Lesley describes a pitch deck is a digital vision board, and if you’re working with a designer, it’s essential that you know how to entrust them with bringing life to the story you’ve been working on for a long time.
They say you shouldn’t judge a book by its cover. But with film pitch decks, the cover is most certainly getting judged instantly. As Graham says in the course, a producer might get dozens if not hundreds of pitch decks a week, so it is vital that your cover page makes a splash.
It’s not just about pretty images, your cover page has to illustrate what your film or TV project is about. The imagery you choose, the fonts, and the colors, are all doing their part to represent your project in a clear way.
After the cover, the second most important piece of a film pitch deck is the actual pitch itself. Although this is a visual presentation, you need to have enough room for the text to say what it needs to say. The key is a balance between visual elements and easy-to-read text.
In the course, Lesley goes into detail about how to design your pitch page to be informative yet visually friendly.
In this part of your pitch deck, you have another chance to really stylize the look and feel so that it reflects what your film or TV project is about.
One element that is helpful if you’re sharing a PDF pitch deck – rather than a printed one – is you can add links in the team bio page to your previous work, demo reel, professional website, or contact info.
This part of your pitch deck is where you really get to express the visual aesthetic of your film or TV project. This would be a great reason alone to get a ShotDeck subscription.
Producers and funders want to know what similar (and successful) films or TV series your project compares to. After all, it’s much more likely that your project will move forward if another comparable project has found an audience beforehand.
You have a lot of flexibility with adding more pages to your film pitch deck that reflect the unique characteristics of your project. For example, you could add a section for press briefs, script excerpts, TV series season breakdowns, the story’s background or original creator, and much more. It’s up to you, and no pitch deck is the same, but always remember your audience has a limited time and attention span.
If you choose to work with a designer to flesh out your pitch deck, Lesley has some tips on ensuring you find a great working partner. First, you want to be clear on rates, revisions, communication, timeline, and how you’ll share assets. Second, you’ll need to know if the designer will provide some of the copy or images, or if that is entirely your job in the relationship. And third, you’ll need to know if they’re a good fit in the first place.
So, get examples of work, be clear about your project’s genre, and make sure that the designer has the experience and understanding to give life to your vision.
As an MZed Pro member, you also get access to over 300 hours of filmmaking education, including Building a Pitch Deck with Lesley Powers, plus we’re constantly adding more courses (several are currently in production).
For just $30/month (billed annually at $349), here’s everything you’ll get:
Join MZed Pro now and start watching today!
Full disclosure: MZed is owned by CineD
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Slavik Boyechko is an Emmy award-winning filmmaker and helps manage MZed.com, the educational workshop subscription platform by CineD. He exercises his filmmaking muscles by doing video production in Minneapolis, Minnesota.