New PODCAST 🎧 ep99 - What's the camera of the future? Trying out new features on CineD.com Listen or watch now!
LISTEN to PODCAST 🎧 ep99 🎬
What's the camera of the future?
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
It has been a while since we last saw Canon bring new stills cameras, that also shoot video, to the market. But with the Canon M10, here is a new candidate for a first look review by cinema5D.
Admittedly, Canon has been rather slow when it comes to innovation on the video side. In fact, the last Canon EOS DSLR camera that made any impact on the market for clean image quality was the Canon 5D mark III, introduced in 2012. It seems like Canon chose to abandon the community which supported and built their reputation when it comes to stills cameras that shoot video.
I guess Canon’s priority to protect their higher professional market is the reason we are not seeing much improvement in video quality from their DSLRs and their mirrorless line. Only time will tell if I am right but for now, I have two of their new entry-level models to check: The Canon EOS M10 (APS-C sensor size, interchangeable lens camera) and the Canon PowerShot G5 X (1” sensor size, fixed lens).
This review will focus on the Canon EOS M10. Our Canon PowerShot G5 X review will be available shortly.Â
The EOS M10 is the fourth in Canon’s mirrorless family line and is positioned even below the Canon EOS M3. Unlike other manufacturers who are dominating the mirrorless market, it seems like Canon is “taking it slowly and very cautiously”, by releasing only entry level models within the sector. A reliable source has told me that the “EOS M” family was moved from being a part of the DSLR department to the consumer department.
The EOS M10 is being sold together with a kit lens, for almost $500. An additional EF-M 55-200mm lens can be purchased separately to complete your mini-filming set. Needless to say that most, if not all, Canon EF lenses – including 3rd party models – can be used with the EOS M family cameras when combined with a proper lens adapter.
I don’t expect Canon to include all the “bells and whistles” or the latest technology in an entry-level camera. I do, however, wish they would have been more daring in implementing higher resolution / frame rates in all their EOS M line – allowing them to better compete with other manufacturers in this segment and not only “straighten the line” when it comes to those specifications. After all, this camera is directly competing with the Sony A5100 which was introduced in August 2014 (Check out the review here).
I don’t want to bore you with details related to this very ordinary camera, so I’ll fast forward to its strengths and weaknesses.
Strengths:Â (in no particular order)
Weaknesses: (in no particular order)
Not tested: Shooting above ISO 1000. HDMI clean output.
Conclusion:Â
The Canon EOS M10 is an entry-level large sensor camera. If you are willing to compromise functionality and video quality, this is the camera for you. Personally, I find it hard to work in bright daylight without an EVF. Also, no audio input is an obstacle for me when it comes to documentary style shooting.
On the other hand, if you like that “Canon look”, this camera certainly has it. Furthermore, if you are a Canon user who is looking for a B camera to have in your bag, this might be a perfect option if you’re on a budget.
About this video:Â
Shot on 1080p 25fps, Neutral picture profile (all setting set to “0”). Edited with Adobe Premiere CC 2015.Colour correction: FilmConvert.For the full equipment list, please see below.
Music: musicbed, Title:Â Winter Solstice by Andrew Judah
Many thanks to Sarah Ware. Discover more about her jewellery world.
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Johnnie Behiri is a documentary cameraman/editor/producer/director. He is also a Co-Owner/CEO of CineD and MZed