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Newsshooter has reported a series of image tests on the soon to be released Leica SL. Accredited Camera Technician and Hollywood first AC Tim Arasheban conducted the shoot at Panavision with a pre-production Leica SL.
Check out the video here.
Mmmm, lens charts look pretty on the web, don’t they? Said no one. Download the original file from Vimeo for a better viewing, but be mindful that this is still a compressed export of the test.
It indeed looks good from initial impressions, perhaps the remarks of someone with Tim Arasheban’s experience is more of a takeaway, here they are in a nutshell:
The 4.4 million pixel EyeRes viewfinder was also high in appraisal, billed as one of the best he’d seen on a camera system. The larger sized HDMI port got kudos too.
The setup for these tests were the Leica SL body, shooting to L-Log (pre-production) 4K in S35 mode. ISO 800, shutter 1/50th at 24p. Recording was via the output to a Convergent Design Odyssey 7Q in 4:2:2 10bit. Latter being the key, the camera records 8 bit in-camera, 10bit unlocked via the output.
Carrying such a heavy price tag you’d expect (even demand) that the Leica SL have a very impressive build quality. And this is so; it’s look like this thing will take some abuse.
At this point it’s hard to see exactly where this will sit in the market. A price tag of over $7000 for the spec sheet is perhaps one only Leica could get away with. Reports like this are great in suggesting this is more than a nicely spec’d premium camera; that it may add value to productions that other systems can’t.
Here’s the spec list for the Leica SL (Typ 601)
Via Newsshooter
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Tim Fok is a freelance commercial DP based in the UK, working globally.