New PODCAST 🎧 ep99 - What's the camera of the future? Trying out new features on CineD.com Listen or watch now!
LISTEN to PODCAST 🎧 ep99 🎬
What's the camera of the future?
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
Leica has just released an L-mount lightweight telephoto zoom lens: the Vario-Elmar-SL 100-400mm F/5-6.3. This medium telephoto zoom features a built-in optical image stabilization system that can compensate for up to 4 stops. It also has an internal focusing system that should work well with the Leica SL2 and SL2-S. And if that 100-400mm zoom range is not enough for you, Leica also launched a 1.4x extender. So let’s take a closer look at these!
After the more affordable Summicron-SL 35 and 50mm F2 ASPH L-mount prime lenses announced in February, Leica is back with a new “affordable” zoom lens: the Vario-Elmar-SL 100-400mm F/5-6.3.
Indeed, Leica already had a telephoto zoom in its lineup of L-mount lenses: the APO-Vario-Elmarit-SL 90-280mm F/2.8-4, but at $7,295, this is far from an affordable telephoto zoom for most people.
The Leica Vario-Elmar-SL 100-400mm F/5-6.3 is a lightweight medium telephoto lens for full-frame L-mount mirrorless cameras. The housing is composed of magnesium and black-anodized aluminum, which is dust/splash protected.
The length is around 19.8cm/7.8in, and with a weight of only 3.26 lbs/1.48kg, it’s not a lens you can put in your bag and forget about, but the focal range/weight ratio is still impressive.
The lens barrel extends when you zoom in and you’ll find the focus ring at the back and the zoom ring at the front.
The Vario-Elmar-SL 100-400mm F/5-6.3 features built-in image stabilization that can compensate for up to 4 stops. In a very “Leica-style,” there is no AF/MF nor IS On/Off switch on the lens: all these changes must be done using the Menu inside your camera.
On the inside, according to Leica, you’ll find a fast internal motor that works well in combination with the Leica SL2 and SL2-S tracking abilities.
Finally, the lens has a lockable tripod clamp and a detachable tripod shoe. The detachable tripod shoe is Arca-Swiss compatible, so you don’t need an extra quick-release plate.
The lockable tripod clamp also allows the lens to be fixed securely to a tripod at any angle. The clamp locks every 90 degrees for quick changes between landscape and portrait formats. According to Leica, “only this specific tripod clamp must be used for shoots with a tripod to avoid damage to the bayonet of the camera.”
The lens design of the Leica Vayou’llmar-SL 100-400mm F consists of 22 lenses in 16 groups. On the external lenses, you’ll find an AquaDura hydrophobic coating.
The minimum focusing distance is 3.6’/1.1m, and it has a front filter diameter of 82mm.
If the 100-400mm range is insufficient, you can transform it into a 140-560mm telephoto lens by using the Leica Extender L 1.4x.
This extender maintains the electronic communication between your lens and camera, so the extended focal length and the aperture are written into the image data.
The Leica Vario-Elmar-SL 100-400 F/5-6.3 is available now for $2,195. The Leica Extender L 1.4x is also available now for $875.
For more information, please visit Leica’s website here.
What do you think about this L-mount telephoto lens? Would the wide focal range be helpful for the kind of content you shoot? Let us know in the comments down below!
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Jeff Loch is a French freelance director, editor and colorist, working mostly on music videos, commercials, and corporate films.