New PODCAST 🎧 ep99 - What's the camera of the future? Trying out new features on CineD.com Listen or watch now!
LISTEN to PODCAST 🎧 ep99 🎬
What's the camera of the future?
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
“We will make cameras that will shoot professional-quality films in 8K resolution but at only a third of current prices and a third of current camera sizes”
The statement above was announced by Terry Gou, founder and chairman of Foxconn – the largest private employer in China and one of the largest employers worldwide.
Foxconn manufactures electronic products for major international companies. Notable products include BlackBerry, iPad, iPod, Kindle, Nintendo, PlayStation and, of course, the iPhone.
As 8K resolution is slowly threatening to become the benchmark standard for digital television and cinematography, the strategic business pivot into prosumer cinema camera production sounds almost logical if you consider plus Foxconn searching of a new revenue stream. Suddenly RED can become the ultimate partner for a joint venture – the perfect match to disrupt the ultra high-resolution cinema camera market. RED is not afraid of innovation and new business adventures and neither is Foxconn.
According to Nikkei Asian Review, Gou said that he is in contact with RED Digital Cinema looking to form a joint venture or partnership to produce affordable cameras. RED’s 8K camera currently sells for around $30,000, which probably makes it attractive for professionals only. Foxconn’s vision is to deliver professional imaging products to the general public as well.
A genius strategic move or business cannibalization?Â
I have to admit, it sounds both fantastic and strange. Why should RED take this business route? RED had teamed up with Apple already in order to deliver the Raven to the masses for a reasonable price. Actually, what makes RED cameras expensive is not only the camera itself, but the accessories (taking Raven as an example).
That move could be a sort of market cannibalization by RED, unless the company is willing to withdraw from the pro cinema market and penetrate more into the consumer market (Hydrogen…?).
What do you think? Is this a smart move for RED? Let us know your thoughts in the comments below.
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Yossy is a filmmaker and lecturer specializes in action sport and documentary films. Yossy is the founder of filmmaking academic program - "The Art of Independent Filmmaking", which is focused on the complex integration of cinematography, editing, color grading, sound design and music composition.