New PODCAST 🎧 ep99 - What's the camera of the future? Trying out new features on CineD.com Listen or watch now!
LISTEN to PODCAST 🎧 ep99 🎬
What's the camera of the future?
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
For many the Blackmagic Cinema Camera with MFT mount was a pretty exciting announcement as it opens up the camera for the use with many different kinds of lenses.
SLR Magic just confirmed that they are now woking on creating some inexpensive anamorphic lenses. The company is known to produce the famous Noktor primes that have an extreme lowlight capability with their f-stop of f0.95.
Anamorphic lenses are a very interesting option for those who want to make full use of the BMCC’s small sensor design.
“In a chat with SLR Magic today, the company confirmed to us that they are working on Anamorphic lenses (and not toys). In a forum, they asked users (as is typically their fashion) what types of lenses are yearned for. So far, they’ve gotten quite a bit of response. Not much has been released yet, but they’re currently deciding on 1.33X, 1.5X, or 2X. They’re currently working on the idea of a 25mm f/3.2 1.35x or 35mm f/3.2 1.35x.”
via The Photographer
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Sebastian Wöber is a director and DP, studied at Filmacademy Vienna and is passionate about harnessing the potential of filmmaking tech to create powerful cinematic work with limited resources. He is currently teaching film at Andrews University in the US.