New PODCAST 🎧 ep99 - What's the camera of the future? Trying out new features on CineD.com Listen or watch now!
LISTEN to PODCAST 🎧 ep99 🎬
What's the camera of the future?
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
It’s important to realize that you have to spend a lot of money on accessories if you want to make your precious RED camera work. A burden many are willing to take for amazing image quality below $20K.
Now would you spend that money on products by a Taiwanese company that has a rather dubious web presence (as seen on the left). Me neither.Lucky for you they sent us some of their stuff for testing and in conclusion I must say the company with the interesting name AllStar and a strange web address (http://allstar-cine.myweb.hinet.net) sells some good and useful gear.
Many asian companies are in the business of copying gear that exists and selling it at a more affordable price than the original. Not AllStar! The man behind the company is Fan Sheng-Siang and most of his products are unique and innovative.
Their full bundle as seen on the left includes a sophisticated top handle and bridgeplate system that adapts from dovetail to shoulderpad in no time and allows a lot of flexibility due to its gigantic construction. The shoulderpad is one of the softest and most comfortable I have tried. Cool for heavy cameras. That said this is not a lightweight rig.
It’s definitely not Arri grade, not 100% there in terms of ergonomics, but it’s all very rugged and well manufactured with hight quality machining and nice little pro details. At $2550 for the full handheld bundle as seen on the left this is a very interesting deal for people or companies on a budget and those who like AllStar’s designs.
Another very interesting product is the so calledA-Mount. It’s a system that consists of a base that replaces your RED Epic or Scarlet EF or PL mount directly on camera. A-Mount looks like a PL mount but has 3 wings instead of 4.Now you can put on of their swappable lens adapters onto the A-mount (PL, BNCR, OCT19, Hasselblad) or prepare your (Nikon F, G, M42, Leica R or Contax) photo lenses with the A-mount kits. You will need a kit for each lens, but eventually these lenses will have a rock solid A-mount installed. There is no internal modification to the lenses necessary. No EF mount.
I tested the PL mount adapter. It is very well machined and the PL lenses sit very tightly. Due to its crammed construction going from A-mount to PL mount at the right distance to the sensor the locking mechanism is not as smooth as a direct PL mount. However the lenses sit tightly.
I measured the PL-mount’s opening which is a little too big (54,14mm wide) in comparison to a normal Arri PL opening which has no lens play whatsoever (53,95mm).You can see there is a difference of roughly 1/10th mm and there’s again about 1/10th mm of play between the A-Mount and the PL adapter itself. When locked the lens sits perfectly tight, but in the worst case it can sit 2-3/10th mm off center.
The A-Mount Base is $180The PL Adapter is $290A lens kit is varying around $180 per lens
The original RED PL mount (titanium and has digital connections) is $2,000
So if you’re looking for affordable, well made gear for your Scarlet-X AllStar might be your choice. If you need Arri or original RED grade accessories AllStar might not get you 100% there.
Order via e-mail found on their website: http://allstar-cine.myweb.hinet.net
Here are some of their cool description videos so you can get a better picture of how their gear works:
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Sebastian Wöber is a director and DP, studied at Filmacademy Vienna and is passionate about harnessing the potential of filmmaking tech to create powerful cinematic work with limited resources. He is currently teaching film at Andrews University in the US.