New PODCAST 🎧 ep99 - What's the camera of the future? Trying out new features on CineD.com Listen or watch now!
LISTEN to PODCAST 🎧 ep99 🎬
What's the camera of the future?
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
Timelapse+ have launched a new product on Kickstarter, the VIEW Intervalometer. At the time of this post it has already reached $70,000 funding, and still has another 22 days left. Here are some of the features of this new gadget.
Timelapse Photography is an art. It takes a lot of patience, it takes quite a bit of pre-planning and a lot of trial and error. The Timelapse+ VIEW intervalometer attempts to make timelapse photography a little easier. Building on their successful Kickstarter campaign of the Timelapse+ intervalometer, VIEWÂ Intervalometer adds, just as it names states, the ability to view your timelapse in the field, even while you are still shooting a timelapse! In order not to disrupt your timelapse, a simple swipe of your hand over the screen, activates a preview of what you are currently shooting.
The View intervalometer also features automatic ramping. It applies an algorithm to analyse each pictures exposure value and exports XMP files of each image for Lightroom for perfect ramping. It can, however, also do automatic ramping or you can set keyframes. It allows perfect Day-To-Night and vice-versa transitions straight from the camera.
Technical Notes on the Ramping Algorithm:It’s analyzing the thumbnail from each image to determine whether it’s under or over exposed, relative to the starting image and then feeds that info to the ramping algorithmThe ramping algorithm then filters (removes any outliers) and integrates the exposure readings and passes it to a tuned PID function for trackingThe PID tuning is split into two parts — one set of tuning parameters for rising light levels, and a separate set for falling light levels. This allows the system to “lag” a little bit for sunset so that it feels like it’s getting darker, and also lets it aggressively “over-respond” to sunrise preventing it from blowing out.Additionally, after the PID step, an offset is applied based on the overall exposure value, compensating by -1 stops (configurable) during the night and 0 stops during the day (and interpolating in between). This helps night feel like night.All of the parameters above will be user accessible, but the defaults should always work so unless a person is curious to experiment, it should not be necessary to adjust anything. Right now there’s a total of 16 parameters it uses for tuning, but I’m going to try to abstract that to a “more responsive/less responsive” slider setting. Still, the current defaults are working wonderfully.
Technical Notes on the Ramping Algorithm:
Another incredibly cool feature is the ability to access your timelapse through the web. View has a built-in WIFI module. When connected to a WIFI hotspot (future support for a USB cell modem is planned), VIEW allows you to view and configure your timelapse from anywhere in the world. It does, however, require a years subscription to your name.view.tl, which will cost 60$/year (1 year for free, if you are an early backer).
VIEW is compatible with Canon, Nikon and Sony Mirrorless camera. Have a look at this incredibly helpful tool on Kickstarter.
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Nic is a camera operator that mainly works in Africa, Europe and the Middle East. He recently shot the brand new series "No Man Left Behind" for National Geographic as well as BBC NHU series and is owner of a Phantom Flex 4K with Highspeedworx, which he runs out of South Africa.