New PODCAST 🎧 ep99 - What's the camera of the future? Trying out new features on CineD.com Listen or watch now!
LISTEN to PODCAST 🎧 ep99 🎬
What's the camera of the future?
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
FilmConvert have just released three new camera profiles for their Nitrate and CineMatch plugins, designed explicitly for Canon shooters using the EOS R6 Mark II, EOS R7, and EOS R8. All profiles are now available to download free of charge for existing users. So, let’s take a closer look at it!
The Canon EOS R6 Mark II was released in November 2022, and if you missed it, you can take a look at our review of this great compact full-frame camera. The EOS R8 was released earlier this year and sported a similar sensor as the R6 Mark II, the same DIGIC X image processor with similar autofocus capabilities, but in a smaller camera body that is less efficient in terms of heat dissipation but most of all doesn’t have IBIS (In-Body Image Stabilization). Last but not least, the Canon EOS R7 was released in May 2022 and is, along with the Canon EOS R10, the company’s first R-series mirrorless camera with an APS-C sensor.
If you use one of these Canon cameras for filmmaking applications, FilmConvert has just released three new camera packs to help you color-match your EOS R6 Mark II, EOS R7, and EOS R8 footage and apply accurate film simulation to grade your footage quickly!
If you’re an avid follower of CineD, you’ve probably heard us talk about FilmConvert products for quite some time now, as we use these plugins on a daily basis to get our own personal and professional projects to the finish line as quickly as possible. If you’ve never heard of FilmConvert Nitrate and CineMatch, these are color correction and color grading plugins compatible with Final Cut Pro, DaVinci Resolve, Adobe Premiere Pro, and After Effects.
In a nutshell, CineMatch is a plugin that allows you to easily color-match two – or more – cameras together. All you have to do is select your source camera model and your camera model target and let the plugin do the magic for you. Since FilmConvert precisely collects camera sensor data in their lab, you can rest assured that the results are very precise. On the other hand, Nitrate uses the same camera sensor data for color grading purposes, allowing you to apply famous film stock looks to your footage.
FilmConvert has already profiled thousands of cinema and mirrorless camera models, smartphones, and drones, and they keep adding new models regularly. This time, the FilmConvert team profiled the Canon EOS R6 Mark II, EOS R7, and EOS R8, which you’ll be able to color match and color grade within minutes inside CineMatch and Nitrate.
FilmConvert camera pack updates are always free of charge for all existing CineMatch and Nitrate users. For FilmConvert Nitrate users, these profiles are available now through the camera pack downloader within the plugin. For FilmConvert CineMatch users, you only have to download the latest version of the plugin to access these new Canon EOS R6 Mark II, EOS R7, and EOS R8 packs.
For CineD readers, you can get up to 10% off CineMatch and Nitrate plugins by using our affiliate links. Individual plugins can be purchased for Adobe Premiere Pro, DaVinci Resolve, or FCPX, but bundles are also available if you use multiple NLE.
For more information, please visit FilmConvert’s website here.
What do you think about these new camera packs? Did you upgrade from the Canon EOS R6 to the Mark II version? Have you already tried one of FilmConvert’s plugins? Don’t hesitate to let us know in the comments below!
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Jeff Loch is a French freelance director, editor and colorist, working mostly on music videos, commercials, and corporate films.