New PODCAST 🎧 ep99 - What's the camera of the future? Trying out new features on CineD.com Listen or watch now!
LISTEN to PODCAST 🎧 ep99 🎬
What's the camera of the future?
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
In an ongoing argument about KesslerCrane’s upcoming CineShooter motion control head being “ripped off” or not, eMotimo has chimed in with a reaction to Kessler’s reply to the accusations.
After we reported about KesslerCrane’s recently announced CineShooter motion control head, some users have been pointing out the fact that eMotimo’s ST4 motion control head looks very similar to Kessler’s upcoming CineShooter head.
KesslerCrane has reacted to the allegations in an email by CEO Eric Kessler to us – CineD reported here.
Now the founder of eMotimo—Brian Burling—posted an article on eMotimo’s blog to clarify his view of the matter.
In the article Burling states that all vendors influence each other, but adds a stab in Kessler’s direction:
As a hardware manufacturer, we expect to get copied, imitated, and ripped off, just not typically from the midwest or in the US at large.
He then continues to list similarities between the eMotimo ST4 and the Kessler CineShooter heads and suggests to compare both heads visually:
Based on the physical similarities his conclusion is that Kessler, when designing the CineShooter, came to the same (or very similar) design decisions as eMotimo with their ST4.
In Burling’s view that is possibly by either:
Kessler sat down and took those combinations of design elements intentionally from the ST4 and just wasn’t creative enough to mask it with a unique form. Kessler independently ran a form study, mood board, user tests, and spent a ton of time figuring out why all the elements should be where they are and why they should be there and came up with the same concepts eMotimo did.
Kessler sat down and took those combinations of design elements intentionally from the ST4 and just wasn’t creative enough to mask it with a unique form.
Kessler independently ran a form study, mood board, user tests, and spent a ton of time figuring out why all the elements should be where they are and why they should be there and came up with the same concepts eMotimo did.
Burling states that both ways are legal, but emphasizes that upset eMotimo users deserve a response from the company they are loyal customers of, and are defending so emotionally.
It’s best to read Brian Burling’s post yourself if you are interested in the controversy. We at CineD won’t make any judgments, because we are neither lawyers nor patent specialists – but adding emotimo’s reaction to KesslerCrane’s response to the accusations is the fair thing to do.
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Florian Gintenreiter is an award winning freelance cinematographer who learned his craft exposing photochemical film. Now he is bringing the same care and diligence from shooting film into today's fast moving digital world.