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What's the camera of the future?
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To create content we filmmakers need light like air to breathe. Sometimes the available light suffices but usually a controlled lighting setup will raise the quality and language of our content by a lot.Luckily more and more companies that make quality lighting available for all budgets have been popping up like Coollights for example who have been around for a while and are also currently running a banner on our site, Flolight, a company we found at IBC.
I reported about the Flolight specialized greenscreen LED last month. Here’s some of the rest of their lineup.What caught my eye about this company is that the quality of their LED is very good and the price is absolutely right. The materials aren’t fancy aircraft aluminum or anything and the stands are basic, but they serve the purpose and the light output deserves respect.
Remember Dedo Weigert saying that a CRI value (light quality) of 84 is really good? Well the Flolights seem to have an in your face value of 93. When the lady assistant told me this I said: “Yeah right” but when she turned on the light and it was a pure white, no magenta or green I started to doubt my skepticism.So if you’re into lighting this company is definitely worth checking out
You can see and buy the other Flolight products on their website.
B&H has provided these exclusive phone numbers for you if you have questions or require assistance:US: +1 877 502 5839 and INTERNATIONAL: +1 212 465 0114
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Sebastian Wöber is a director and DP, studied at Filmacademy Vienna and is passionate about harnessing the potential of filmmaking tech to create powerful cinematic work with limited resources. He is currently teaching film at Andrews University in the US.