New PODCAST 🎧 ep99 - What's the camera of the future? Trying out new features on CineD.com Listen or watch now!
LISTEN to PODCAST 🎧 ep99 🎬
What's the camera of the future?
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
The (very) popular Laowa 24mm f/14 2x Macro Probe is now available as a Sony FE Cine version. That means: dedicated 0.8 gears for focus and iris control plus a rugged aluminium case.
This device is a special kind of lens that is certainly not suitable for everyday use. The Laowa 24mm f/14 2x macro probe is capable of very unique angles and shots. With its close focus of only 2cm, you get a 2:1 macro, but also a pretty wide “bug eye” viewing angle (85°) that was not possible before this lens (at least for indie filmmakers).
Make sure to check out our previous coverage here and here plus our video review here.
Now Laowa has released a new mount variant for this lens: the Sony FE Cine version not only features a native Sony FE mount, but also standard ring gears to control focus and iris. In total, these versions are now available:
The wide-angle design translates into a much greater depth of field at close range than conventional telephoto macro lenses, so more background detail is visible.
Controlling the focus and iris via a follow focus or –even better– with attached motors will certainly help avoiding lens shake when touching it. So that’s a benefit of these dedicated Cine versions (ARRI PL, Canon EF and now Sony FE).
Other than the new mount for the Cine line, nothing has changed, even the price is the same: $1.499 for a standard one, $1.1699 for a Cine version.
I’d love to see a slightly faster version of this lens at some point since you just need a ton of light to properly light a scene with a f/14 lens. But for now, having the freedon of choice regarding lens mounts is nice to have.
However, since this lens is strictly manual, I’m not sure if all these native lens mounts are really necessary. You could just get a PL or EF version and adapt it to whatever camera you have. Of course, since stability and lens shake is an issue with this lens, a native mount wil be a bit more rugged than an adapted lens.
Link: Laowa
Please note: The images (including the featured image) do not show the new Sony FE Cine version, since Laowa doesn’t have images on their website, yet.
Do you use macro lenses on your shoots? Have you tried the Laowa 24mm f/14 Macro Probe yet? Share your experiences in the comments below!
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Olaf von Voss is a freelance cameraman who is in business for well over a decade. He is living in Berlin, Germany but has traveled the world as well while shooting mostly documentaries.