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What's the camera of the future?
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We first learned that Panasonic was bringing a new member to the VariCam family during IBC 2016, and now we finally have footage from the new camera system, dubbed simply the “VariCam Pure”. Â Footage is below:Â
The VariCam Pure is the result of a partnership between Panasonic and the on-location recording company Codex. The body of the camera is the same Varicam 35 platform we all know and love, with the addition of a Codex recorder that allows the Pure to capture 120fps in 4K Raw to SSD drives (Codex Capture Drives).
Newly-released footage from the VariCam Pure:Â
https://vimeo.com/205071225/147554d8ea
Watch our IBC 2016 interview with Panasonic HEREÂ regarding the VariCam Pure.
The Varicam Pure system is the latest attempt by Panasonic to push into a cinema space long dominated by the likes of ARRI and RED Cinema. Sony too has been struggling to make headway into studio and indie features with their F65, with the recent exception of Ang Lee’s Billy Lynn’s Long Halftime Walk and 2013’s Oblivion, directed by Joseph Kosinski. This early footage out of the VariCam Pure looks great and I’ll be interested to see more once the camera begins shipping and gets into the hands of independent operators.
Image Credit: Panasonic
Panasonic also announced upgrades for their existing line of VariCam cameras that add ProRes 2K support and additional ProRes codecs. They are available for download HERE.
Technical Highlights:Â
What do you think? Has the newly-released footage from the VariCam Pure made you more likely to try out the camera when it begins shipping?
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Emmy winner, Graham Sheldon, resides in Southern California, where he works as a producer and director of photography. He is a member of the Producers Guild of America and ICG Local 600.