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What's the camera of the future?
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There have been waves of Blackmagic camera mods washing over the filmmaking community recently. These customizations put what is considered an industry-best camera into custom bodies for various purposes, some of which are even considered “better” than the stock vessel in which the Australian company chose to house the cameras. Let’s investigate a brand new design that takes the Blackmagic camera back to its roots.
Blackmagic is no stranger to the box camera design. The original Blackmagic Cinema Camera was essentially a box camera. The Blackmagic Micro Studio Camera 4K is also a box camera. But the company struck gold with the “handheld” Blackmagic Pocket Cinema Camera that premiered roughly 11 years ago. It featured a DSLR-esque body type that was popular at the time with the growing use of the Canon 5D in cinema productions. And ever since, the filmmaking community has clamored for the Pocket Cinema Camera in its various iterations – most notably, the BMPCC 4K, BMPCC 6K, and the brand new Blackmagic Cinema Camera 6K (which dropped the “pocket” from the title altogether).
For the uninitiated, the “box” camera design gives the operator ultimate freedom in camera setup. You can add or take away anything to the camera rig and set it up however you see fit. Larger cameras such as the Arri Alexa are big and bulky, and its parts can usually only be attached in a specific way. Your monitor, your battery, and your wireless transmitter all have to be in a certain spot, in a certain orientation. Utilizing a box camera gives your camera department a lot more say and creative freedom in how to rig out the camera. Or, you can just throw your box camera and a lens onto a jib, techno crane, or vehicle rig and go!
Born out of necessity, the Nexus Project aims to put the world-class imaging power of the Blackmagic Pocket Cinema 6K in a more efficient body. The Nexus Project is run by brothers Thomas & Timothy Boland, with support from industrial designer Brian Boland. Co-creator Thomas Boland states:
The more we rigged the Blackmagic Pocket 6k to fix the problems it had, the more problems the rigging and external accessories caused, which limited creativity in other ways. Such as the need to constantly break down and modify rigs for different movement setups, problems with controlling the camera via the screen blocked by a battery, the weight which makes gimbals impossible to use for long periods without cumbersome support equipment, and the extremely wide body which made the camera hard to mount in tight spaces or on gimbals, to name a few.Thomas Boland, Avid Nexus
The more we rigged the Blackmagic Pocket 6k to fix the problems it had, the more problems the rigging and external accessories caused, which limited creativity in other ways. Such as the need to constantly break down and modify rigs for different movement setups, problems with controlling the camera via the screen blocked by a battery, the weight which makes gimbals impossible to use for long periods without cumbersome support equipment, and the extremely wide body which made the camera hard to mount in tight spaces or on gimbals, to name a few.
The first camera planned by the Nexus Project is the Nexus G1: a redesigned Blackmagic Pocket Cinema Camera 6K (G1). While the Nexus G1 is still in the early design stages, the Bolands intend to provide filmmakers with an optimized professional camera system that leaves little guesswork on the technical side. In hopes of alleviating stresses caused by high-paced production environments, this will allow filmmakers to focus more on the creative aspects of movie making.
The planned features of the Nexus G1 include but are not limited to:
With research and development ongoing, no specific date has been set yet for the release of the Nexus G1, but Boland hopes to be done by mid to late 2024. However, the price point has been floated at around $3,000, which includes the price of the camera inside the Nexus G1 body. The camera should come ready to go, minus any extra add-ons you may require (ie. handle, battery, etc.). Or you can order a DIY kit if you prefer to build it yourself.
If you’d like to keep apprised of the status of the camera, check out the Nexus camera website here (updates to come). Or there’s a Reddit thread where we first found out about the camera here. A special thank you to Thomas Boland for being so accommodating and answering my questions for this article. The CineD team wishes all of you luck in your innovation on behalf of all filmmakers.
Are you excited at all about the Nexus G1? Do you feel this is a welcome modification to the Blackmagic Design family? Put it in the comments and let’s talk about it!
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Nick Taylor is a Los Angeles-based filmmaker. He specializes in writing, directing and VFX work ranging from short films to big-budget blockbusters. He is a veteran of the United States Navy and currently works for Lightstorm Entertainment, as well as regularly producing his own original films.