New PODCAST 🎧 ep99 - What's the camera of the future? Trying out new features on CineD.com Listen or watch now!
LISTEN to PODCAST 🎧 ep99 🎬
What's the camera of the future?
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
After bringing out the Phantom VEO line and a new Cinemag IV, Vision Research have delivered an incredible engineering feat – the Phantom Flex 4K-GS, with Global Shutter.
The Phantom Flex camera line is the the dream of all filmmakers, with its whooping 1000fps in 4K, the iconic display on the side for easy access to controls as found on the Arri Alexa and Sony F55, and rigorous factory testing to military specs. It is also no wonder that that they deserved the Scientific and Engineering Academy Award by the Academy of Motion Picture Arts and Sciences, after the Phantom Flex line improved from a camera that could do 1000fps in 1080p, to a camera that could do 2500fps in 2.5K within ten years. And now, the new Phantom Flex 4K-GS with Global Shutter capable of up to 1000fps in 4K follows on this legacy of innovation.
Phantoms generally incur incredible heat due to its mechanical overdrive to get high-speed footage. The white body ensures that environmental factors don’t affect the camera as much, which is of extreme importance for the wildlife documentary industry. This is a lesson that Vision Research learned from their military background, and its isolated electronics and thermal design allow for operation in environments within the temperature range of -20°C to 50°C.
The new Phantom Flex 4K-GS is capable of using Global Shutter thanks to the introduction of a new sensor, allowing for sharper images and fewer motion artefacts by exposing every pixel to light at the exact same moment in time.
Other than that, not much has changed. As a Phantom Flex 4K owner myself, I don’t see myself investing in this new version, but I look forward to seeing Global Shutter used in all future models.
● 35mm 9.4-megapixel sensor
● Global shutter, switchable to rolling shutter for increased dynamic range
● 938 fps at 4096 x 2304, 1000 fps at 4096 x 2160, 1975 fps at 2048 x 1080
● 5 μs minimum exposure
● Internal mechanical shutter for black references
● 3G-SDI video outputs
● Dual-SDI mode for simultaneous live video and playback
When the Phantom Flex 4K hit the market in 2014, it was an engineering master-piece. However, many other camera manufacturers are slowly but surely catching up in the slow-motion market. The rule of thumb implies that 200 – 300 fps is more than enough to film most wildlife and human related activities. The highest BBC wildlife broadcast specs require productions to be filmed in 4K at 100fps.
Although there are few cameras that can achieve this, there is still a huge gap between the Phantom and the others. RED cameras, for example, have to lower the compression ratio to achieve over 100fps at 4K. The Phantom Flex line, on the other hand, still produces completely uncompressed RAW files at the highest quality possible, and that at 1000fps. Up until now, they seem to always be a step ahead, and they surely have the price tag to show it, with Phantom Flex 4K packages starting at over $100 000.
Vision Research has for years been at the forefront of highs-peed cinematography innovation, with their products being used for science, research and military purposes. As their saying goes “when it’s too fast to see, but too important not too”, Vision Research soon discovered the true power of slow motion for the motion picture industry, enabling filmmakers of all genres to add a special aspect in a story.
Lastly, make sure to check out the Phantom Flex 4K in action in this post, where we go behind the scenes of Through The Thick, a documentary shot by cinema5D contributors Nino Leitner and Nic Divischek.
What do you think about the new Phantom Flex 4K-GS? Have you had any experience with a Phantom before? Please let us know in the comments below!
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Nic is a camera operator that mainly works in Africa, Europe and the Middle East. He recently shot the brand new series "No Man Left Behind" for National Geographic as well as BBC NHU series and is owner of a Phantom Flex 4K with Highspeedworx, which he runs out of South Africa.